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Dark Creations of my Mind

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* * *
I
was sitting at the bus shelter, waiting for my bus to come, when a woman on a bicycle came by. She stopped under the shelter to get out of the rain. She had a kind of "bohemian" look to her, with her black scoop-necked sweater, her short black hair, and her thick, black rimmed glasses. Her bicycle was red, and it was the old style where the middle bar curves up.
She got off her bike and leaned up against the wall of the shelter. After a while I heard the melodic times of a harmonica, playing no specific tune. She played for a few moments, and soon the rain stopped. Lowering her harmonica and putting it safely in her pocket, she got back on her bike and rode away.
All I could think was - I wish I could be as free as she is.
* * *
I turned to you,
Because I needed to believe
That I was once pure.
I had lost the map to my light
And your touch
So dark
Devoured the spark,
But at least I could say,
It was once there.
I saw it. Once.
Why is it that when love dies
I feel as though I've wasted that time.
Maybe it's because I was
The only one who made deposits.


In the end,
I guess that's all you wanted -
A good fuck
Instead of
Someone to love.
My heart burns with the passion
Of a million dying suns.
It's heat would have burned you
In the end.
So I suppose it's for the best
In the end.


When was it that we lost touch?
When was it that my light wasn't enough for you?
I tried to forget, but how could I
When I could still taste her on you;
Feel her as you touched me.
Did you even think of me?
As she sucked you
Fucked you
In a hunderd different ways
I could never dream of?
It had to be that
For I gave you everything
That I could imagine.
Funny, you always said I was the creative one.


In the end,
I guess that's all you wanted -
A good fuck
Instead of
Someone to love.
My heart burns with the passion
Of a million dying suns.
It's heat would have burned you
In the end.
So I suppose it's for the best
In the end.
Tags:
* * *
It's odd where people get their inspiration to write. Some get it from live experiences, living hard and dying young. My father left when I was three years old because he chose drugs over me; he was young and stupid - I can't blame him. My mother left when I was five to go through rehabilitation for her drug and alcohol addiction. Hey, it was the 80s, nobody thought they would live to see the 90s. She came back though, after I lived with an aunt who abused me, and then my mother mentally abused me, but it's hard to be a single mother.
      That isn't where I get my inspiration. My head is much too much in the clouds for that.
     I guess I don't really know where I find my inspiration. I am of the greatest belief that everything imagined, everything dreamed is not fiction. It all really did occur in some point or another. Dragons really do exist, and faeries kiss me every night. I believe all of the things that are imagined exist in some respect, as a real concrete thing, and that the reason why we "imagine" them is because it is our soul remembering these things. Weak as we are, we tell our brains that such things are not real, they can't be, and we are content with passing off a child talking to elves as an "overactive imagination." If that is so I guess I never grew up.
      Maybe that's where I get my inspiration - I believe.
* * *

I want to touch a dream
I want to feel it's texture
Is it soft?
Is it warm?
Does it feel like velvet as is moves beneath me?
I touched a dream once,
Believed in it.
I was what wasn't there
And then the razor teeth of reality sunk in,
Tore my flesh
And ate my desire,
Leaving only torn wishes, and tattered hopes.
It was a laughing dream;
A dream of smiles and arms wrapped around me,
A dream of fairy wings
And princes and kisses.
But it was a dream built upon falsity
And, as all things constructed too quickly,
Was doomed to fall.
Shattered like glass as it dropped
Let go before the other hand could grasp.
So now I am left wondering:
Can I ever touch a dream again?
Or will I hesitate, and let the moment pass by me?
Because one dream cracked upon a floor of tear and blood
Does that mean all the others will be flawed?
It consumes me,
From nowhere, out of nowhere,
My thoughts,
My time,
All driving towards a direction whoes call is lost in the wind.
Is it a spell?
Some magical pulling and tugging in no particular direction?
If it would just focus on one source,
I'd be able to follow
Willingly
And unafriad of the risks;
Like The Fool.
It is by taking those risks that we learn to live
And how precious life really is.
I want to hear the words 'I love you'
As arms wrap tightly around me.
I want to look into eyes, as they dare me to jump,
To risk everything -
For this one moment.
I want to feel hands over mine, protecting me
From the dangers that aren't even there
Just to let me know, that when they are,
He'll be there.
I want to have that moment
When the skies clear,
And you know that there is no other place you'd rather be
Than right there,
At that moment.
I want to touch a dream.
It feels like my heart is answering someone's call,
But doesn't know where to turn.
I feel like I am being pulled,
But once I get there what will happen?
Does it really matter?
From the heart ache I learned so much;
I'm willing to go through it again
Even for the lesson.
Tell me which direction,
Which wind to follow,
To touch a dream.

* * *
It was then that Alice had noticed the table and the little rusted key that sat atop it. Taking the key eagerly, she crawled up to the door, unlocked it and threw it open. What she saw was a beautiful secret garden, with butterflies flying and birds chirping and roses all around. Oh how she longed to get out of his horrid place, and into that garden to play tea with the flowers. In a melancholy, she walked back to the table, and set the key down. However, when she set the key down on the glass, she was looking at her feet, and was quite surprised when her pale fingertips, which brushed along the glass a moment before, touched a little bottle sending it over onto it's side and rolling down the glass surface. Quickly Alice ran to the other side of the table in time to catch the bottle as it rolled off the edge.
      It was clear and had a bright green liquid in it. On the label was written "Drink Me." She looked the bottle over curiously, remembering the cautioning words of her parents. However, the bottle was not marked poison, though the shade of green of the liquid would make you think twice about it, and she decided to uncork the tiny bottle and take a sip. It didn't have a completely unpleasant taste, mostly bitter, in fact there was just the hint of licorice.
      Alice began to feel oddly. The bottle made little clinking noises as it bounced a few times as it hit the marble floor. The little girl brought her hands up to the sides of her head and she closed her eyes tight as her head felt like it whipped around a couple of times. When the feeling had stopped, she opened her eyes and found she was about the same size of the door. Excitedly, she ran up to the door to wrench it open only to find it wouldn’t budge. Alice looked back up to the little glass table to see the rusted key. She walked back up to the table and fell against one of its legs. Sliding down onto the ground she put her face in her hands and cried. It was then that she noticed a small wooden box under the table. Opening it, it’s only contents were a small cake with “Eat Me” beautifully marked with deep red currents. Figuring anything was better than sitting there and crying she ate the cake and hit her head on the glass table, sending it flying, as she grew over nine feet, bumping her head on the ceiling. When Alice realized that there really was no way to get through the door now, she started sobbing great big tears; the more she cried, the quicker the little room filled with water until there was several feet deep of tears covering the marble floor of the room.
      In the distance she could hear the pattering of feet, and as the door opened up to the room, she saw the mysterious black rabbit in the waistcoat and top hat. Seeing the gigantic girl, he dropped his gloves and fan, running away as hard as he could before Alice could even get a word in. Feeling that she had cried quite enough, Alice picked up the fan and looked at it. It looked old, its handle made of polished ebony wood, and the fan itself was a black lace that was torn and ripped in areas. Alice started to fan herself, her mind wondering to a poem she was to recite later on that week.

      How doth the little crocodile
            Improve his shining tail,
      And pour the waters of the Nile
            On every golden scale.
      How cheerfully he seems to grin
            How neatly spread his claws,
      And welcome little fishes in
            With gently smiling jaws!


      Those must not be the right words; deep in thought Alice looked at her hands and saw she had put on one of the rabbit’s tiny black gloves. “Now how did I do that?” Alice wondered, looking around. Indeed, she had shrunk 5 feet so that she was down to her regular size and quickly she dropped the fan, rushing for the table toppled over and forgotten in the corner, but her foot slipped on the tears she had cried and she found herself chin deep in her own salt-water tears. The little girl waded in her tears, and curiously, the room started to get dark, as if time had passed. She was getting very tired as she swam this way and that. Finally, her foot hit something solid underneath her, and as she looked in the distance she could see she was approaching a shore. But how did she get out of the room she wondered. Trudging up to the shore she saw a small light flickering in the distance, but as she walked towards it and saw what it was, she had a thought that she rather preferred to be in the little room with the little door.
* * *

A small girl ran across the stones that peaked above the level of the river rushing onward to who knows where. She would often sit by the river on summer days, wondering where it ran to, and where it stopped, in some magical faery-land, filled with what dreams are made of. But not today, today was for better things.
      Her little legs carried her across the river, up the slope of the bank, and across the field where the wildflowers now wilted; it was a week before school started - she would be in the 6th grade - and already Alice had ruined her new school shoes and one of the new dresses her mother had bought her. It had come from tripping into the water or falling as she fell, leaving grass stains on her dress and stockings. Alice ran further, to the edge of the woods and stopped. She had never been this far before, and she looked back over her shoulder as if waiting for some approval. It came in the form of a small black kitten with a purple collar around it's neck; as the kitten ran to meet her mistress the little silver tag that read Dina jingled, signaling her presence.
      "So, what do you think Dina, shall we go on further?" Alice picked up the kitten, which blended in with Alice's black hair. Dina crawled up onto Alice's shoulder and burrowed into the nap of her neck, getting tangled in the black tresses before Alice was able to put her down, now having to put up a great struggle to get the kitten to let go. But Dina did, as she always does, and though reluctant to be set down upon the ground again, gave a reassuring squeak, which was all Alice needed to proceed into the forest.
      It was much darker in the forest, the sunlight suffocated by the twists and crooks of the trees that reached well beyond what Alice could see. Everything seemed much more treacherous in the woods, glowing eyes appearing from under moss covered logs, trees reaching out to snag her burgundy dress or trip her unsure footing, even the sounds, muffled and sinister. Alice had gone a good way into the forest, easing her nerves, but she came to a point, and she stopped. Nothing had happened, nothing had frightened her, but a little voice whispered to her - You shouldn't be here. Alice stood still for a moment, taking in surroundings, trying to judge where she was. All it took was a snap of a stick to her right to set her screaming, running off into an unknown direction. When she had finally stopped, she didn't know which way she had gone, or which way was out, and Dina was no where to be found. Alice called out to her, but she couldn't even hear the jingle of Dina's collar.
      Another snap was heard behind Alice, and quickly she whipped around, and was confronted by something black and furry in her face. For a moment her heart skipped a beat, Dina, but it all together stopped once Alice was able to focus on what was so close to her. Not her precious Dina, but a large black rabbit, standing on two legs, with a black top hat, a monocle and a small pinstripe waistcoat complete with black gloves. He seemed just as suprised to see her.
      "I'm late," he said, taking a watch from his waistcoat pocket. He opened it, and as he looked at the time his ears twitched in dissatisfaction. "I'm late," he said again, bounding off.
      It took the barest of moments for Alice to surpass her confusion and run after the rabbit - he may know the way out. The rabbit was quite fast, and it was all Alice could do to keep up with him, her little legs running as fast as they could. "Mr. Rabbit, Mr. Rabbit, please wait. Do you know the way out of the forest?" Alice called behind him. The rabbit in the top hat never responded to her questions, and the further they went the more questions and requests Alice made. "Mr. Rabbit, please slow down." The deeper they went the darker it got, and the trees with their leafless branches reached down their skeleton hands to clutch at Alice's hair and dress. It was too late, their souls were unrestrained, free from the hands from which they grew. Noises, besides the tromping of Alice became much more eerie, and Alice grew more afraid. Just as she was about to ask the rabbit another question, he disappeared. Alice stopped in her tracks, looking this way and that, trying to find where he went. Whispers from the dark frightened her, their voices though soft, echoed deep within the woods, calling her, drawing her.
      Then, Alice was falling, falling into darkness, almost a sickly weightlessness.
      Suddenly, cold and wet hit Alice's body. Black water filled her mouth and lungs and she struggled for breath, kicking her legs furiously trying to break surface. Her chest hurt, and her eyes stung as her body wretched, wanting to draw in air that wasn't there, and it took everything for Alice to keep her mouth closed and her nose plugged least she take in more black water that weighed down her hair and her dress. Just when she could bare it no longer, when she finally gave up and opened up her mouth to get the water in, her head broke the surface and she sucked in the rank air. The air forcing itself into her lungs hurt so badly she cried out. Alice just float there for a while, letting the water wash over her body. She didn't care anymore, she just let everything happen. After a few moments her head hit something hard, and the pain knocked her back to reality. She twisted in the water and saw an edge. Numb fingers did their best to grab at the concrete, but it took several tries before Alice could maneuver her cold fingers to grasp the edge and pull herself onto the concrete. She lay there for a moment, relishing in the wonder of staying still, of not moving.
      It was the flicker of the florescent lights that caught her attention. Up overhead she could see a long row of the blinding lights lined down a hall. She turned over onto her stomach and pushed herself up onto her knees. What met her gaze…Alice had never seen anything like it. A never-ending, white hallway. Overhead were the florescent, shorting now and then. Lining the hallway walls were thousands upon thousands of doors with little windows into them near the top. The doors were locked by wrought iron gates bolted in front of them, as though the horrors behind the doors needed something besides a mere door holding them in their separate hells.
      Alice shakily got to her feet. Her paten vinyl shoes wrapped upon the concrete floor, the only sound that met her ears. She stood on tiptoes to try and look in the windows on the doors, her little hands grasping the cold iron for leverage; she was too short. It was just as well.
      It was a long time before Alice was met with something new. The hallway continued on, but all of a sudden, it also branched off the sides, giving her three options to choose from. She looked down each of them, but they just looked the same. On a whim, Alice decided to turn left and she proceeded down the hallway of ever flickering lights. After a few more turns, she came to a dead end, but at the dead end one of the gates was flung open, and the door was ajar. Tentatively, she walked closer, and peaked in through the crack of the door. It was another hallway, leading to a much smaller door. Alice saw the black rabbit in the pinstripe waistcoat down at the very end. He opened the door.
      "Mr. Rabbit!" Alice croaked as she flung the door open and ran towards the rabbit's fleeting figure. "Mr. Rabbit, please wait! Please, help me, I don't know how to get out."
      The rabbit turned and seemed to note her for a moment, then turned back and shut the door behind his tail with a click. Alice reached the door and saw it was actually very small and the hallway she thought she was in was just a room. She wouldn't even be able to fit her head through the door, how did the rabbit get through? She tried to open it and found it was locked. Defeated she rested her back against the wall, slid down, and with her head on her knees she cried. She didn't notice the glass table that appeared out of nowhere for quite some time.

Continue on to Pool of Tears

* * *
Stray not sailors beyond the sea foam
The sea has a way about it
To show you more than dreams
More than it seems
 
Beware, beware the queen
For she's the queen of deception
The queen of dilapidated dreams.
From her kingdom underneath the waves
She will call to you with siren songs.
And the sea foam will rise
Within it a beauty woven
By the threads of your dreams.
But all it will be, just a dream,
Just a dream.
 
Though her embrace be warm,
And her voice engaging,
Swelling to more than it seems, more than it seems
It is all just a dream, just a dream.
"Do you find me pretty, kind sir?"
"Do you find me sweet?"
She will purr as you fuck her.
She will trick and deceive,
With her beauty, she will make you believe
That your love is more than it seems.
More than a dream.
 
Beware, beware the queen
For she's the queen of deception
The queen of dilapidated dreams.
From her kingdom underneath the waves
She will call to you with siren songs.
And the sea foam will rise
Within it a beauty woven
By the threads of your dreams.
But all it will be, just a dream,
Just a dream.
 
And before you can think A whisper of scent is all that's left
Before you die, before you die, before you die
Your heart her prize, your heart your life
Such is the fate of sailors
Who's eyes roam,
To the sea foam
Wanting more than a dream
More than it seems
More than it seems
Just a dream, just a dream
 
Beware, beware the queen
For she's the queen of deception
The queen of dilapidated dreams.
From her kingdom underneath the waves
She will call to you with siren songs.
And the sea foam will rise
Within it a beauty woven
By the threads of your dreams.
But all it will be, just a dream,
Just a dream.
Current Location:
At Work
Current Mood:
contemplative contemplative
Current Music:
The voices in my head...
* * *
The Queen of Tarts
She ate the hearts
Of unsuspecting men.

She played the part
As though 'twer art
Time and time again.

If you were smart
You would impart
This wisdom that I pass.

To keep your heart
Tempt not the Tart
Or this breath will be your last.
* * *
Love is like a violet
The youth of primy nature
The perfume and suppliance of but a minute
Forward and sweet
Not permanent, not lasting
No more
No more


The best safety lies in fear
The best safetly lies in fear


If he says he loves you,
If he says he loves you,
If he says he loves you,
If he says he loves you,
Perhaps he loves you now.

(Mix made from Hamlet - Act I Scene III)
* * *

In 1912 a war broke out in New York between two political parties of the vampire society – the Camarilla and the Sabbat. Both upheld the Masquerade, set in 1423, which was the law that no vampire reveal what they are to mortals or other supernatural beings, but both had their ways of following said law, which was the reason behind the conflicts.
      The Camarilla believe that we are able to exist peacefully with the mortals. What is it they say nowadays? Ignorance is bliss? Most Camarilla vampires see mortals as useful, draining them not only of blood, but also of resources and influence. Above all else you must uphold the Masquerade. To fail means your utter destruction.
      The Sabbat are a different story. Although they believe in the Masquerade, they are much more lax on abiding by it. They are gods and the mortals are nothing but senseless cattle to be their feast. What mortals do not know will not hurt them; what they do know will terrify them, changing the mere feast into the much more exciting hunt.
      The war had started when two leaders, the Camarilla Prince and the Sabbat Archbishop, met for delegations. It wasn’t long before talk became a physical fight, and to this day, 91 years later, nobody truly knows who struck first.
      New York burned for 7 years.
      A young girl named Lily never participated in the war, but inevitably the war found her, and changed her life forever. She came to New York in 1910 with two other vampires, Colt and Anoria, and her human servant Allen. It was Anoria who had convinced Colt to go and Lily merely followed him. She had never wanted to go to New York; Lily had had a bad feeling about it ever since the subject was brought up. Everything in her said she shouldn’t go, and she could have stayed in New Orleans, but Colt and Anoria were two she had revolved her life around for the past thirty years and it was hard to walk away from them. When Lily stepped off the train once they had reached the city she vomited the blood she had drank that night.
      Two years later the war broke out.

New York, September 18th 2003

      “Lily, we will not be staying long. I am only allowed a small time down here, and I do not want to think of what will happen if we are down there too long,” Colt said, pulling up the manhole cover from the cement floor of the parking garage.
      Lily nodded looking around. In 91 years New York had changed, but she thought she would see something familiar as they were going to a long forgotten home. Hope fluttered in her chest. If Colt was mistaken about how to get there it could be he didn’t actually know where the study was, and that would mean that everything was still there. Maybe.
      Colt dropped down and his whisper sounded hollow as he called up to her. “Jump down, and I will catch you.” Cautiously Lily inched her way over the hole until she was hanging there and dropped, not surprised when Colt caught her gingerly in his arms and set her down gently. He always had treated her as though she was glass, and now was no different, especially with danger lurking, waiting to jump out. He turned on his flashlight and started walking.
      Lily looked at her surroundings. Even with the impeding darkness, she was able to see the details with her supernatural eyesight. Mold and moss clung to the cement walls, and the ceiling smelled of something wet. So far, nothing looked familiar, which pleased Lily. He must be wrong about the study, Anoria told him a fake one, she thought optimistically. 



New York, October 22nd 1917

      “But Anoria, why wouldn’t he come and get me? It doesn’t make sense.” Lily and Anoria made their way around another corner in the underground tunnels. Anoria by this point was very annoyed at Lily’s questioning. Always questions, nothing useful from the girl, ever!
      “Because my dear,” Anoria replied, her voice dripping in sweetness in its delicate rumor of a French accent, “he is busy. You know how he can be, the Prince probably has him on some raid on the Sabbat. He was too busy to pick you up.” Anoria walked fast, and it was almost too much for Lily to keep up in her long skirts.
      “But Allen could of escorted me home. I’m always with Colt durin’ the week, not you.”
      “Yes, I know that, will you just come with me tonight, it isn’t safe for you to be alone; even if Allen is there, he wouldn’t be able to protect you properly. My study is safer with its wards.”
      Lily followed Anoria as best she could, Allen tagging along a great deal behind to make sure nothing was following them. 

September 18th 2003

      Colt took a few steps forward and felt Lily stop behind him. “What is it?”
      “I thought I heard somethin’. Just barely.” She raised her head just a bit and strained her ears to hear anything she could. Colt did the same, but whatever Lily had thought she had heard was gone now.
      “Come on,” Colt beckoned softly, gently, “we do not have much time.”
      Lily nodded and followed him around another corner. 

October 22nd, 1917

      Lily trudged her way, worried about Colt. What would be so important that he wouldn’t come pick her up? She always looked forward to it, since he couldn’t do much else – the war kept him busy. He hadn’t even come to see her shows anymore, but instead sent lilies to her dressing room after each show. After the first few times Lily had been furious. She would have violent tantrums in her dressing room, ruining her costumes. Her vanity mirror had been replaced twelve times. But after a while she understood. It was the most he could do when times were so hard and he was needed by the city. She understood that he was trying to show her that she was loved, even in such a hard city that was New York.
      Lily looked back at Allen, making sure he was all right. He was now trailing quite a distance away. She smiled at him, hoping that he could see it. Their bond had grown since they came to New York.
      She didn’t look forward to going to Anoria’s tonight. Who knows what would happen this night; the weekends were bad enough. Always another vampire to be put in that circular room to be destroyed when the sun came through the vent in the ceiling. Their screams would wake Lily as she slept during the day. Or worse, when Anoria hung mortals for questioning; as they were dying demonic voices would arise to tell the answers. The voices made Lily have nightmares at night.
      “I wish Colt wasn’t busy tonight,” she mused to herself. 

September 18th, 2003

      Tonight.
      There it was again. This time Lily had caught a word. She stopped, waiting to hear more, but nothing more came. What is going on, she thought. She looked around, looking for something, anything. She didn’t have a good feeling about this. But of course who would have a good feeling about going underground, completely controlled by vampires in a now Sabbat city.
      She stepped closer to Colt so that she was just a few steps behind him. His presence was comforting, and she forgot about the whispers. 

October 22nd, 1917

      Lily stopped, hearing something ahead. It sounded muffled, almost suffocated, and she strained her ears until they hurt. Anoria pressed on. Then Lily heard it – a gunshot. And it wasn’t any gun, it was Colt’s pistol, Lily knew it. She ran forward until she came to an open room. 

September 18th 2003

      If Lily could take in a breath she would. She had just seen something run past her. No, not past her, through her. She shot a glance wildly at Colt, but just as his form came to meet her eyes the form ran through him as well. She looked for any sign that he had seen, but he seemed completely oblivious. Quickly around the corner the apparition fled and Lily only caught a color from a scrap of skirt before it passed behind the bend. For some reason the color seemed familiar, but she couldn’t quite place where she had seen it.
      They edged their way to where Lily had seen the figure disappear. Colt kept on walking, but everything seemed to stop for Lily. She felt cold hands stroke the back of her neck, and she shivered despite the fires she saw in front of her. 

October 22nd, 1917

      Lily ran forward into the room to be met with hot heat. Large bonfires burned in the vast room, creating dark circles on the ceiling from the residue of the black smoke that rose above the fire. On one pyre a man burned, a stake in his chest.
      Colt was in the center of the room, surrounded by five other men and a woman. He shot a man until he was thrown back against a wall, blood seeping from his chest and legs. The woman was thrown back by a backhand from Colt, and another man was pulling a scarlet knife out of his forehead.
      Lily felt Anoria rush past her and saw her attack one of the men. Thinking of nothing else to do, Lily rushed the woman, throwing herself on her. Lily took out her knife and slashed at the woman’s throat. She was able to cut the woman’s head off, getting hit quite a few times in the process. Lily dragged the woman over to a pyre and heaved her onto it, being careful not to catch anything of her own on fire.
      She turned around in time to see that the other foes had met with a similar fate. She smiled at Colt, but the smile quickly faded. 

September 18th, 2003

      Lily saw as Anoria launched herself at Colt while his back was turned. Colt was able to pick her up with no difficulty and he threw her against the opposite wall. Lily looked as her own image in the room backed up into a corner, not knowing what had caused the sudden confrontation between the two. Colt took out a stake as Anoria prepared a ritual and he ran towards her.
      With her speed she was able to side step him, though she got a powerful punch in the head in the process and it dazed her just long enough for Colt to push off of wall and strike again. With the staked raised high he plunged it into her chest.
      Lily clutched the entryway, watching everything happening. Just like the time so long ago she was helpless to do anything but watch. It was a scene that even today was etched behind her eyelids. 

October 22nd, 1917

      Lily slid down the wall until she was sitting and shook her head, unable to take her eyes off Colt and Anoria, and unable to get up and stop them. Colt plunged the stake into Anoria’s chest, and as she fell to the ground Colt drove several brutal punches into her. Lily started to cry, the tears of blood running down her cheeks in torrents and spilling onto her dress, staining it in red.
      After what seemed a very long time Colt picked up Anoria and cast her onto a nearby bonfire. He watched her burn for a moment, before turning to look around the room. If Lily’s heart could beat it would stop now. His silhouetted face scanned the room until his bright eyes met hers. 

September 18th, 2003

      Lily saw as her figure turn its head into the stone wall behind her, trying to shield her face from the brutality she just faced. She smeared blood from her cheeks onto the wall. Why? She could hear the whisper just barely. Blood tears continued to fall down her cheeks as she saw Colt walk towards the figure he saw in the corner. 

October 22nd, 1917

      Lily raised her head from the wall and looked up at Colt. Her cheeks were covered in red, and her dress was stained, the wall behind her tainted with blood tears. She kneeled there in front of him, looking into his face. “Please,” she pleaded, and Lily could hear as she echoed her words from that day long ago. Colt seemed not to hear, and Lily kneeled there as her mentor, her teacher, and her lover drove a mighty punch into her, and struck her for the first time in her entire existence. 

September 18th, 2003

      From the tunnel Lily screamed. She fell to her knees and screamed, “Stop!” She curled up into a ball on the floor and Colt, who had gone quite a few yards up the tunnel, stopped and turned around to see Lily there on the floor.

October 22nd, 1917

      Lily could feel herself being beat. In the few moments she had she mused that there was no pain. Just pressure, force. She looked up one last time at Colt, his eyes burning, like the fire near her burned. "Why?" she whispered to him. It was in one final blow that she blacked out.

September 18th, 2003

      “Lily! Lily, what is going on?” Colt reached her side, and was shaking her as she screamed. He pulled her up into his arms and looked around wildly to see what had happened. His eyes fell onto the room in front of them. The room smelled of mold and wet, and in the corners of his eyes he could see dark things scurrying along the walls, looking for some inky place to hide. In the corner, there, he could see part of the wall that was burned to no repair; the floor there was also black from flames. On the opposite wall his supernatural sences could see where there was still remnants of blood smeared from tears.
      Colt gathered Lily in his arms and stood, giving one last glance at the room, remembering what had taken place there so long ago. Colt turned away from the room, and took Lily back the way they came.
* * *
I've never been a patient person. I've always been one for immediate gratification; I want it, I get it, and I get it now.

So what is with this game of cat and mouse?

I feel as though I'm a cat sitting outside a mouse hole, waiting patiently for him to come out. The poor mouse doesn't even know I'm there, and in the end, maybe he'll out run me and I'll have waited for nothing.

Or maybe, with paw poised and ready, I'll slam down and trap him.

I want to go other places, see new faces, but something keeps me there at this particular mouse hole. I've never been all that obsessive; if I don't get it right away, I move on. So what's so different about this particular mouse hole?

The truth is I'm afraid. I sit there, scared out of my wits, unable to move from this spot, all my attentions focused on this particular mouse. But why? I've come to the conclusion that I don't know HOW to love, so why, not knowing anything about him, am I so willing to screw up yet again? Maybe I'm masochistic, I don't know.

I love ideas. An idea about a person, and my last two mice, I could tell you about their lives, as I perceive it, and be completely wrong. I filled in the holes I saw, thinking that my intuit reflection would be able to fill them accurately.

If you ask me about this mouse... I have nothing.

But I know he inspires the songs in me to come out.

And so I sit, paw poised, waiting.

I'm not a waiting person.

What I'm most afraid of, however, is when I do catch him. Because at this point, with too many cards in my hand, there is only when. Not if.

What do I do? I haven't thought beyond the waiting. What if it ends up like the first mouse, a never ending loop of need, and wanting, and wishing, and waiting, and missing?

It's the fact that it could be different that keeps me at this mouse hole.

Things are coming full circle. Yet again, the mobile of time makes its cycle.

I'm like an hourglass, blown to life by the air from the lungs of gods; filled with sand, tan and fine that flows too quickly to the bottom. My time is very measured, and like a child given no choice, I scream, trying to make the sand flow backwards.

3 is a good number, it's magical. 3 chances. 1 turn of a wheel each chance: 1 year. It's my last opportunity. I drain my energy every other night, just waiting. And this cat, who was never taught how to love, sits, and waits for a mouse, who doesn't even know she exists.


One day I'll be conquered by a wily voice and eyes
And my tomb will be a stage where great cities rise
And the Queen will be dead, long live the Queen
And the Queen will be dead, long live the Queen

* * *
I can't wait for the day
When all the love will be washed away
With salted tears and whispered words
"I'm better off alone."
Love dies quiet and slow
It's lingering wretched woe
Refuses to hear the whispered words
"I'm better off alone."
I bide my time and wait for
My heart, I watch it beat no more
With salted tears and whispered words
"I'm better off alone."
Then I shall sit upon my throne
The blood stills, frozen, I am alone
Wrapped in ice, my only words
"I'm better off alone."
* * *

It hurts cause I can see you fall.
There's nothing I can do to help
Because you are a manic queen
Of a kingdom called Depression.
The paths that lead are wrapped too tight
With the drama that you wear like
A dead man's shroud that forever
Conceals you from joy in spite
Of my words and my swords. My thoughts
They pale in the dark clouds that
Dampen your light, so how could I
Find my own to light a way to you.

You are my manic queen
With the face of an angel
And the body of a broken doll.
Happiness is a foreign word,
Your depression the only
Thing you use to break your fall.

Time and time again I see that
You plummet to the ground after
Your dreams, to thin to hold your weight,
Let you down and watch as you fall.
And I can't help but think that if
You really just wanted to soar
You'd build your dreams on something else
More solid than your throne of thorns.
And so there's nothing left to do
But watch you make the same mistakes.
I am unsure who twas broke you
I only know that I can't fix.

You are my manic queen
With the face of an angel
And the body of a broken doll.
Happiness is a foreign word,
Your depression the only
Thing you use to break your fall.

You are my manic queen
With the face of an angel
And the body of a broken doll.
Happiness is a foreign word,
Your depression the only
Thing you use to break your fall.

* * *
Walk away, walk away
Don't have to pay me now
Please don't ask me
How can I tell you why
You'll never understand
When you're holding my hand
I feel her touch
It won't wash away no matter
How much I want to
Do you remember how close we came
Just like a girl in December
That waits for the snow but

Never you mind my dear
No love is living here
You have no more from me to fear
I'm gone you're free
You've another place to be

Put back your money and
leave the key on the floor
I am happy can't you tell
I break fans every day
I thought you knew me well
You will never survive
I'll see to that
I'm not asking for repentance
I only wonder
If you remember the dress I wore
Yes you do
Can't you remember the promise you made but

Never you mind my dear
No love is living here
You have no more from me to fear
I'm gone you're free
You've another place to be

I lost an earring
I'd check in your carriage
You know your own way out
And I will not miss you
I hope you don't mind
When you're holding her hand
You'll feel my touch
It won't kiss away
No matter how much you try
You may not remember the softness of my skin
But I recollect you were never a man
To outlast immediate pleasures with dreams
While I hold to the memory as long as I can but

Never you mind my dear
No love is living here
You have no more from me to fear
I'm gone you're free
You've another place to be
You've another face to see

Won't you leave me alone
I have no time
And you don't belong here anyway
Go to her still
Do you remember how close we came
Just like a girl in December that waits for the snow

* * *

I've a question or two,
I've been wondering who
It was that taught you -
All the right words to say,
All the right games to play,
That makes a heart sway?
You must think your tactics a gift,
But your attentions, they drift
To the next skirt to lift.
And with me you'll find your heart's too entwined...
 
And so now its time to play
Which of us will betray?
Are you hunter or prey?
Can you keep your heart?
Or will it simply depart
When the Queen of Tarts
Comes to play?

I can't be easily fooled,
I've been thoroughly schooled
To spark hearts that have cooled.
From the sweetest caress,
Pretty words to impress,
What feelings to express.
I see behind your mask
Not that hard a task,
But the question to ask...
What stakes have been laid in my grand masquerade.

And so now its time to play
Which of us will betray?
I am hunter, you're prey.
Can you keep your heart?
Or will it simply depart
When the Queen of Tarts
Comes to play?

You only play till you've won
Maybe it's all in fun.
You play women like one
Would play a fine violin
It's the music of sin.
But with me you'll begin
To follow my call
Until you falter and fall.
You'll be held enthralled.
If you're caught in my net it's your heart that's forfeit.

So the lesson to learn
Is that though you may yearn
Though you're passions may burn,
Her heart won't come to you
Unless you're trusted and true
Don't doubt that she knows who.
And if that day should be seen
It would only mean
You've won the heart of a Queen
But what you didn't suspect - that your heart she'd collect

I am playing for keeps.
You're love's ripe to reap
Though the risk may be steep.
You can't keep your heart
It will simply depart
When the Queen of Tarts
Comes to play!

* * *

There's so many moments in the day
Where I feel my mask is slipping away
But instead of letting it be
I'm afriad to reveal the real me.
And so I grapple least it fall
Before I'm able to show it all
But in doing so I compromise
Everything I am inside
My soul wanting to be free
But I just can't be the real me
So maybe that's what you're for
To drop my mask and let me soar
But how much time must I loose
And are you just an excuse

Maybe it's too tiring to chase a dream that's not meant to be
Maybe it's too much to want something I may never have
Maybe it's not meant for me if everything must change
But maybe it will reveal the real me.

I don't even know who you are
Why you are
What you are
To be drawn to someone I never knew
Is something I'm not used to
But all of those who I consult
Say that it's part of a larger result
I can't help but feel like a pawn
And that the chessboard I'm playing on
Is not of my own design
And I feel these feelings aren't mine
So what am I to do while I wait
While foreign hands design my fate
I'm more afriad the more it seems
That this dream's not mine to dream

Maybe it's too tiring to chase a dream that's not meant to be
Maybe it's too much to want something I may never have
Maybe it's not meant for me if everything must change
But maybe it will reveal the real me

Tags:
* * *
Too many times I've been told
The game's we played would leave me cold.
But you've chilled me to the bone before
Why should this hurt anymore?
* * *
I once thought us sisters
I thought we were equals
But too late I saw the scales tilted to your whim
Cuz to you I would never
Be anything special
To you I'd only be another face in the dim
 
Because you see,
You see I am Rose Red
Incapable of holding out a place of my own.
And so I must walk
Contantly in your shadows
Your Snow White blinded me from a light of my own.
 
So long and hard I'd try
To match you pace for pace
No matter how I tried I'd always fall behind.
Till one day I stopped to see
The path you walked would only
Lead me backwards to a place that was so unkind.
 
Because you see,
You see I am Rose Red
Incapable of holding out a place of my own.
And so I must walk
Contantly in your shadows
Your Snow White blinded me from a light of my own.
 
Because you see,
You see I am Rose Red
Finally I've found I'm holding out a place of my own.
And so I won't walk
Anymore in your shadows
Snow White no longer blocks me from a light that's my own.
Tags:
* * *

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